Vox Media’s Zach Kahn, Brand Marketing, shares his top takeaways from CES 2018, originally featured on Shots.net.

Kara Swisher, Recode Executive Editor and Co-Founder, and Ari Melber, Anchor of “The Beat” and MSNBC Chief Legal Correspondent, to Co-Host Inaugural Discussion on January 19th.

The Digital Content Series Challenges Football Stars Greg Jennings, Nick Mangold and Rashad Jennings to Cook Up Winning Game Day Dishes

Created with Leviathan, the experience is available to visitors through January

The daily Twitter Live show will bring the gadgets of CES direct from Vegas to fans at home

When it comes to digital, ignore the technical clutter and return to the roots of advertising, says Concert's Ryan Pauley

The podcast veteran will join Vox’s Washington D.C. team later this month.

Eater’s first network television expansion will premiere in 2018 on PBS

Vox Media’s in-house branded content practice evolves and accelerates its fastest-growing content offering

Divided States of Women will be hosted by award-winning reporter and executive producer Liz Plank

Both shows will premiere exclusively on Twitter in October

By Ryan Pauley, VP, Revenue Operations & GM, Concert

By Armando Turco, General Manager, Vox Creative

Thought leadership from our top advertising and marketing voices

The Leading Publisher-Led Marketplace Redefines Programmatic

Clinton sat down with Vox’s Ezra Klein to talk about her new book and what comes next

Produced by Vox Entertainment, the new investigative video docu-series, Foul Play, will debut later this year

A note from Vox Media Publisher Melissa Bell

Watch special episodes of The MMA Hour leading up to the Mayweather – McGregor fight and The MMA Beat each week, live on Twitter

Here’s some exciting news: Vox has been nominated for 4 News and Documentary Emmys. The nominations were announced today by the National Academy of Television Arts and Sciences, and mark Vox’s first Emmy nominations. Estelle Caswell’s Vox Pop series was nominated twice, for “Outstanding Arts, Culture and Entertainment Report” and for “Outstanding Graphic Design and Art Direction.” Johnny Harris’s piece “What Rio doesn’t want the world to see” was nominated for “Outstanding News Special.” And Joshua Seftel and Seftel Productions’ “Secret Life of Muslims” series was nominated for “Outstanding Short Documentary.” Vox editor Joss Fong, animator Gina Barton and executive producer Joe Posner were also credited in the nominations. “At Vox, excellent, innovative, and passionate work thrives – awards or not,” said Posner. “These nominations are a testament to the talents of the entire Vox team – our editors, writers, producers, researchers – who are truly unlike any other group of journalists and creators out there.” “Vox’s video programming proves that audiences are hungry for world class journalism video across any platform,” said Melissa Bell, Vox Media’s Publisher. “Vox’s videos are deep and beautiful, thoughtfully crafted and wildly entertaining. They are setting the standard for the entire industry.” Watch all of Vox’s videos on Vox’s website, Facebook, and YouTube, and be sure to catch the premiere of season two of the now Emmy-nominated series Vox Pop on August 4. To align your brand with an Emmy-nominated video series and team of creators, contact Vox Media here.

Relive Vox Media’s Magical Feast Under the Stars

Beginning on June 26th, MMA fans have a new way to enjoy SB Nation’s longest-running show

Earlier this morning, as he heads to Cannes Lions, Chairman & CEO Jim Bankoff sent a candid letter to our clients about the digital advertising landscape and Vox Media's place. We're pleased to share his thoughts here. It’s not difficult to read the mood going into this year’s Cannes Lions. Brand-builders are focused on quality, trust and safety, but refuse to sacrifice performance, data and scale – and in the current digital landscape, these priorities can feel mutually exclusive. But marketers who care about brand identity can no longer afford to ignore context or presentation. The best work too often appears for a split second in a feed alongside fake news, shallow viral videos, and disposable memes – or, worse, haphazardly ahead of unsafe extremist videos. To fulfill the industry’s collective desire for more scale, planners are being pressured to choose between ad units that either annoy audiences or are ignored completely. No wonder media mixes still disproportionately favor broadcast and cable despite consumer attention migrating to digital. Until recently, all digital advertising was considered the same, intentionally. We became drunk on data (not rosé), completely ignoring the higher values that have created the kind of magic that Madison Avenue was once known for. The desire to target, buy programmatically, and achieve scale seemed to obviate the focus on the foundational ingredients of brand-building: depth, creativity, emotion, adjacency, and trust. To me, it frustratingly seems that the digital ecosystem has deemed itself incompatible with that pursuit. But I refuse to accept it. Nearly a decade ago when we started what would later become Vox Media, it became my personal mission to figure out a better way to build a big, high-quality, ad-supported media company. Five years ago, that meant rejecting the IAB standards and developing our own in-house ad platform

Vox Media will lead sales efforts for The Ringer which will operate on Vox Media’s advertising and technology platform